Dub Terminator consistently lives up to his namesake, and Dub Toys successfully pairs the Kiwi producer’s reliable low-end theory with a veritable crew of guests. The distinctive bass tone, amped-up yet still well-rooted, serves to connect the ten-track album tonally, while the meaningful topics and conscious lyrics provide a similar sense of continuity and an elevated listening experience. (more…)
Now, I’m going to be honest here, I had no idea what to expect when I first put on Israel Starr’s latest project ‘The Producers Chair – Dancehall Vol. One’. After listening, I think it’s very safe to say this is most definitely not another New Zealand ‘BBQ reggae’ release. (more…)
With three heavy-hitting conscious new 7”s – featuring vocals from Speng Bond, Koa Aloy, and S’Kaya – simultaneously released on their own Top Smile Records, Swiss digital enthusiasts High Smile HiFi have once again crafted some tough riddims which pair nicely with their global cohort of singers.
These releases (#s 12-14) feature bubbling bass lines and stabbing skanks aplenty, all straight out of the mid-1980s in aesthetic and style. (more…)